This is an AMA (Ask Me Anything) episode, where you’re the one who asks me anything and I’m the one who answers. We cover a host of topics, mostly about supplies and where I’m at in my creative practice.
I share my favourite tools, classes, and resources for making art.
I discuss themes I’m processing through art (now and always), coming back to art after a creative drought, and a new way I’m merging meditation with creation.
A host of miscellaneous questions and answers.
And an in depth look at my love for white hair and #ff66cc.
Nope, Caylee didn’t become an American for the new year. That smooth, calming radio voice you’re listening to is Get Messy Guardian’s @ginnistonik. She’s interviewing the marvelous Guardians of the Community to bring even more inspir-action and...
The best thing to come out of 2020 for me has been my studio. It’s my one true love (sorry T). It’s an old shipping container in an old slaughterhouse. It’s gritty, and raw, it’s hipster as hell, and its mine.
This studio has enabled me to do that weird thing people talk about called “work-life-balance” and for that, I am truly grateful.
I wanted to dedicate an episode of the podcast to it. It has a story. It’s a love story. And to make it worth your while, I’m sharing what a studio space of your own might do for you…
Why is it so difficult to just. make. art? We know how much we love it and how it feeds our soul. We know it makes us better in a multitude of ways, but sometimes even the thing we love the most can feel like a massive effort.
I talk to Anna Baer, aka Olive Green Anna, about this. We talk about her mad skills – in creating art, in getting others to make art, and in pep talking directly to the heart.
I wanted to get together to talk about her latest offering, the Take Time to Make at-home artist residency, mainly because I’m taking part in it. I also sneakily wanted to learn more about her as a human since she lives so close to me.
Our conversation lit me on fire. I loved hearing about how her process and seeing art as wildness in control; a way to see what comes out of her. We speak about destroying your own art in order to make space, removing the preciousness of supplies, making shit art, and where we put our worth as artists.
Grab your supplies and let us keep you company while you create…
The podcast is back! And we’re jumping right into the deep end. We’re not talking about surface level art here, no no, you can’t really do that with my guest. Vanessa Oliver-Lloyd and I are talking about a way to get around how damn hard it is to put your inner heart into your art. Not just putting your likes and dislikes onto the page, not just your paper ephemera, and not just what you did that day (although all of those are great). We’re discussing V’s favourite technique for telling your story without it being draining.
Cause we all have issues. We all have a story that has led us to the point we’re at. We’re all still on a journey. It may be beautiful, it may be painful, it probably is raw. Art is very good at helping unload that weight. But it’s not necessarily easy to do.
We wanted to talk about the creative process of making an online class, but in true Vanessa fashion, we ended up talking about so much more than that.
I’m glad you could join us.
The focus of my life currently is this:
PRODUCE MORE. CONSUME LESS.
It’s a bold statement. With so much great stuff on the internet, and with it being so easy to be sucked into Pinterest, Instagram, blogs, and galleries, I’m needing to step back all the more. We consume so many things every day that actively trying to produce more than that is a big feat. There are two ways of doing it: either producing more than a hundred things per day, or drastically reducing how much you consume and making more than that number. I don’t want what I make to be influenced by someone else’s. I don’t want to be comparing how much I make. I don’t want to be making less because I’m too busy staring in awe at someone else’s stuff. I want my Ideas book to be a to do list and I want to get. shit. done.
There are a million reasons why I want to consume less and the number one reason is to produce more. I want to make a lot of stuff. I want to make up for lost time. I want to record all my memories before I lose them. I want to make a whole bunch of rubbish stuff so that I can get to making the good stuff.
And so I made an action plan. Here are the ways that I’m shifting my default to producing instead of consuming.
One of the biggest things that art journalers struggle with in their creative practice is the journaling part of art journaling. It’s weird. I know. A while back, I invited a journaling expert to help the Get Messy community with how to find the words. Elaine Kiziah...
What is it about art journaling that makes it actual magic? Out of all the different ways to be creative, why do we choose art journaling? Why is this the one thing we have stuck with over time, and the one thing that we are constantly falling in love with? In order to answer this question with Wendy Solganik, we need to dissect her entire creative story.
You are going to love this episode. I’m chatting with Tara and Sandra from Kick in the Creatives. And if you don’t know them yet, by the end of this episode, you’re going to fall just as in love with them as I have. And good news for you because they’ve got their own podcast and you can binge listen to them and just take in everything that they have.
